Take, for example, Hamlet’s famous remark “to BE, or NOT to BE.” Watch James Franco and Tommy Wiseau attempt to master syllabic emphasis. Iambs are something we all understand intuitively, but they’re not always easy to express. Nowadays, we examine Shakespeare’s plays from the perspective of history, attempting to understand the complexities of his style. This rhythm was one of his favorite writing tools, and it was present in many of his best works. Metaphors, subtext, and great flow abound throughout his writing. ![]() There is a reason Shakespeare is regarded as the most excellent writer of all time by many. Consider this: iambs have the same rhythm as a heartbeat – da-DUM, da-DUM, da-DUM - one unstressed, one stressed word.įor thousands of years, poets have employed iambic poetry to track the most fundamental of all rhythms: our heartbeat (in pairs of five). ![]() Its aim, as complicated as it may appear, is relatively straightforward. The flow provided by this iambic meter was a favorite of William Shakespeare’s in his plays and poems. The most well-known meter for iambic poetry is pentameter, but there are others: dimeter, trimeter, tetrameter, and so on. Iambic pentameter is a rhythm form that uses unstressed and stressed syllables in five groups.
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